A Select Collection of Old English Plays, Volume 09 by Dodsley and Hazlitt
Let's be clear: this isn't a novel. Edited by Robert Dodsley and later William Hazlitt, this volume is a curated museum of stage plays from the Tudor and early Stuart periods. Think of it as a 'greatest hits' album from a time when most of these hits were forgotten. The plays inside are a mixed bag—some are anonymous, some by writers whose names barely survived. They range from moralistic 'interludes' meant to teach a lesson, to rowdy city comedies full of schemers and tricksters, to more serious historical pieces.
The Story
There isn't one story. That's the point! You might jump from a play where a clever servant cons a greedy merchant out of his money, right into a somber drama about a fallen monarch. One moment you're in a London tavern with con artists, the next you're in a poetic debate about the nature of justice. The 'plot' of this book is the journey through the obsessions of early modern England: class, money, power, sin, and redemption. It shows how playwrights experimented with form and language long before Shakespeare standardized the five-act structure. You see the roots of the characters and stories that would later dominate the stage.
Why You Should Read It
I loved this because it feels authentic. These aren't the polished, timeless masterpieces we study in school. They're the rough drafts, the B-sides, the popular entertainments of their day. You get humor that's still genuinely funny (bawdy puns are eternal) and moments of startling emotion. Reading them, you connect directly with the past in a way history books can't provide. You see the anxieties, the jokes, and the social commentary that resonated with a regular audience. It completely reshapes your understanding of English drama—Shakespeare didn't emerge from a vacuum; he was part of this vibrant, chaotic conversation.
Final Verdict
This is a niche treasure, but a rewarding one. It's perfect for theater lovers, history nerds, and anyone curious about the 'everyday' culture of the past. It's not a light read—the language takes some getting used to—but it's worth the effort. Don't binge it. Dip in and out, savor a play at a time, and let yourself be transported. If you approach it like exploring an archive rather than reading a story, you'll be amazed at what you discover.
This is a copyright-free edition. It is now common property for all to enjoy.
Joshua Walker
7 months agoVery interesting perspective.
William Thomas
3 months agoA bit long but worth it.
Michelle Nguyen
1 year agoRead this on my tablet, looks great.
Emily Wright
1 year agoSimply put, the flow of the text seems very fluid. I couldn't put it down.
Melissa Allen
1 year agoThanks for the recommendation.